Sculpture (Sculpture)

My Shape (2018) is the final work of the exhibition “Sorry”, taking the form of a Levi’s denim jacket pattern, expanded three or four times larger than its original shape. Adorned with different pockets, visible through the transparency of the paper and different light bulbs illuminating the form, white cables link the piece to hidden plug sockets, recalling a similar piece made by the artist for the 2015 Ricard Foundation prize. The work is representative of a series of recurrent concepts in the artist’s work manipulation of scale, abstraction through monumentalization, highlighting of tangential objects integrated like sculptural elements by the artist, in a way in which others might try and hide them, as well as the melding of the intimate alongside objects of mass production and the globalization of tastes.

Film & Video (Film & Video)

Leyla Stevens’s two-channel video Patiwangi, the death of fragrance is an immersive video installation that addresses erased histories. In the left channel, set in a fine museum storage facility, art conservators unfurl and inspect modernist Balinese paintings, prints, and sculptures. In the right channel, Javanese-Australian dancers, Ade Suharto and Melanie Lane, echo each other’s movements.

NFT (NFT)

On March 30, 2015, at 5:52am, David Horvitz caught his daughter, Ela Melanie, as she was being born, in the back of an Uber driving through Midtown Manhattan. He held her up in the morning light as the car drove down Park Avenue, blocks away from the Museum of Modern Art, where Zanna Gilbert, the mother, was a fellow. After arriving at the hospital, Horvitz tweeted a photo and later e-mailed his friends and family with additional images.

Film & Video (Film & Video)

By Way of Revolution is a series of works by Helina Metaferia that addresses the inherited histories of protest that inform contemporary social movements. In the project, Metaferia works intrinsically with female descendants of prominent historical black activists to produce video art; with women of color organizations to produce socially engaged work; with “radicalism” archives and performance stills to produce works on paper and tapestries; and with museum, gallery, and public spaces to produce participatory performances. The Call is an ongoing video project of performances by descendants of prominent civil rights activists across the United States.